By guest author Tom Coote
Turkmenbashi's Land of Fairy Tales
I got lost on my way to the land
of fairy tales. I had confidently followed the road to the Promised Land, only
to find that it led to ruins. All over Turkmenistan's capital city Ashgabat,
the run down, rambling houses of the poor were being knocked down and replaced
by strangely isolated tower blocks. In this city of constant destruction and
construction, no map would stay up to date for very long. I walked back and up
around the building site, in search of a road or a landmark that would help me
to get my bearings. I found myself at a crossroads and yet again checked my
map. Either side of me, bored, young military police men loitered inconsolably.
Everywhere you went in Ashgabat they would be standing around; guns in their
holsters, heads in the clouds.
The night before, I had come
across a young soldier in the park, parading backwards and forwards, stiff
legged, between the illuminated fountains and the well-kept shrubbery. Half way
through his solo procession, he started goose-stepping like a demented Nazi
storm trooper. I was sure that he was about to stick his finger over his lip
and execute an extravagant leg swinging turn-around in the style of Basil
Fawlty, when he noticed me watching and abruptly came to a halt. As I walked
past, he said something. I didn't understand, so he pointed at my watch. When I
showed him the time, his face dropped even further - it was clearly going to be
some time before he finished his shift of pointlessly waiting. Even the funny
walk couldn't cheer him up.
I decided not to ask directions
from these bored young men with guns and instead, opted for the most likely looking
road to Turkmenbashi's Land of Fairy Tales. 'Turkmenbashi' was the title that
the now deceased dictator, Saparmurat Niyazov, awarded to him self - it
translates as 'leader of the Turkmen'. In order to build the $50,000,000
amusement park, Niyazov ordered the bulldozing of the homes of hundreds of
ordinary Ashgabat residents who were never properly compensated. I hoped it
would be worth it.
I traipsed down a long, straight
boulevard, with sparsely spaced out white tower blocks on either side. They looked
like Vegas hotels but I assumed that they were blocks of flats built to house
Ashgabat's displaced residents - except that nobody seemed to be living in
them. There was the occasional gardener and plenty of cars were passing by, but
there was little evidence of life or occupation within the gleaming, white
towers. If the bubonic plague were to desolate Las Vegas, it would look like
this. There had been a bit more going on in the city centre - a few restaurants
and a couple of night clubs - but there was a strict curfew and anybody found
walking around after ten at night, would risk arrest from the hordes of bored
young soldiers. There used to be cinemas but Niyazov forced them to close as he
considered movies to be un-Turkmen. He had them changed into puppet theatres as
he considered puppetry to be more in keeping with the Turkmen culture. He also
banned opera, ballet and most theatre but was quite keen on traditional song
and dance, providing it was used to praise the many virtues of their glorious
leader. Still, at least he had built a big theme park to keep them all amused.
At $50,000,000 it was bound to be brilliant.
I didn't seem to be getting any
closer to this Turkmen wonder land. I'd found a few people who seemed to
understand a bit of English but they weren't much help. They were all very nice
but seemed a little concerned that I was looking for a fairyland. My attempts
at miming a roller coaster only added to the confusion. As I had already been
walking for about forty minutes and all I could see ahead were yet more miles
of the sparsely spaced Vegas tower blocks, I decided to head back. After
another mile or so, I had the idea of getting up around the back of the tower
blocks on the other side, to get a better view over the city. I couldn't be sure
but I thought I had spotted the top of a giant plastic mountain. Between the
Promised Land and me, lay yet another building site. I couldn't be bothered to
walk all the way back again along the official footpath, so decided to just
walk straight through the construction zone. Lots of other people seemed to be
doing the same thing. Everybody seemed to avoid walking along the wide, clean,
official footpaths that seemed to lead you nowhere and left you feeling far
more exposed than if you were stood out in the middle of a desert (until fairly
recently this is exactly what much of it was). They seemed far happier to be
squelching through muddy tracks and dodging industrial machinery. At least
there was some human life to be found amongst the noise, dirt and chaos. I
emerged onto some scrappy grassland and stepped through a broken fence towards
a narrow, blue rail track. I could see the mountain now and it was definitely
plastic. I had made it to the land of fairy tales.
As the grass was so overgrown, I
headed off along the rail tracks, towards a huge brown lizard. There was a door
in the side but it seemed to be locked and there were no signs or pictures to
indicate what lay within the belly of the beast. It didn't seem like a ride. I
thought it might be a small zoo for snakes and reptiles. Maybe it was where
people had to live after their houses were demolished? I still wasn't sure if
the amusement park was actually open. A few people were wandering around but
the pedalos on the lake were still bound together and the train had yet to join
me on the tracks. As I ducked around the lizard's head, I caught sight of a
small blue roller coaster. It was running and there were people on it. Their
screams drew me closer.
I had been hoping for a kind of
Central Asian Disney Land but it looked more like the kind of run down
amusement park that might still open up for a few months in the summer at one
of the smaller British seaside towns. The rides were small, tired looking and
mostly closed. There were a few stalls selling soft drinks and snacks, some
operational dodgems and the small blue roller coaster. I needed some vouchers
before I could go on any rides and was directed to a woman in a headscarf at a
drinks stall. She looked too young to be wearing a headscarf. Contrary to
Turkmenbashi's preference for traditional Turkmen costumes, most of the young
people at the land of fairy tales were just wearing jeans and t-shirts. She was
probably a poor person. After buying some vouchers for about 80 cents each -
the other rides only cost one voucher but the roller coaster cost two as it was
the biggest and the best - I got into the front car and sat there on my own,
feeling a bit silly. After a while, two middle aged Turkmen women got in behind
me. A few minutes later, the operator realised that this was about as busy as
it was going to get, and sent us trundling on our way. Every time we sped up or
spun around a corner, the two women screamed. I clutched my bag between my legs
and held on tight. A minute later it was all over. I needed more. The dodgems
didn't tempt me - they were full of little kids and even I would have felt a
bit silly as the only adult in amongst them. Instead, I went on the spinning
tea cup ride. I was their only customer. It wasn't that great. There seemed to
be some kind of log flume that came out of the big plastic mountain. I followed
a Turkmen family who had also spotted it. As we wound up the steps through the
moulded plastic boulders, I became infected with their enthusiasm. Maybe this
was where all the $50,000,000 went. I felt far more disappointed for them, than
for myself, when we came up against yet another locked gate. Who knows how far
they had come and how long they had saved for their big day out? Their faces
dropped and we all trudged back down the plastic hill, in search of more fun.
There was an opening - a way into
the plastic mountain! Who knew what lay within? It turned out to be monsters.
It looked like a kind of ghost train ride but without the train. The three
young women at the desk seemed a bit surprised to see me. I'm not sure how much
they understood me, but I pointed at the door and waved some vouchers at them.
One of them took a voucher and led me into the darkness. As we walked into each
room, she would stand to the side and press a button on the wall. A low,
dramatic voice would then start to say something in Turkmen, while I stood
admiringly in front of some paper mache mythical creatures. She made me wait
until the whole recording had finished before letting me go through to the next
room where the whole process was repeated. This next one seemed to have some
big cauldrons in it and what may have been wizards. I couldn't understand a
word of the accompanying sound recording, but felt obliged to stand there
looking respectful. In the room after, she offered to take my picture in front
of some trolls (or at least the Turkmen equivalent to a Troll - I'm not really
up on Turkmen myths and fairy tales). As monsters go, they seemed quite nice.
We emerged from the darkness, towards soviet style strip lighting, and I
thanked my guide for my visit to the underworld. Everything else in the magic
mountain appeared to be locked up, apart from a small amusement arcade - only
about half of the machines seemed to be working - and a cavernous but empty
cafeteria. The women at the serving hatch were equally surprised to see me. A
few tired offerings were on display on the counter but they looked like they
had been laid out there for rather a long time. I opted for some cake that was
safely sealed in a packet and attempted to order a coffee with milk. By saying
'coffee' and 'cafe' in various ways I could get across the first part but I
couldn't get her to produce any milk. I was about to start miming the milking
process when I remembered that the Russian word for milk was 'moloko'. She
crawled under a table and started rummaging through cardboard boxes. She
emerged triumphantly holding high a single packet of Nescafe 3 in 1. We were both delighted.
I took my coffee and cake and sat
down next to the stream that ran through the cafeteria. Under the dim strip
lighting I had thought the stream was also plastic and was about to walk
straight through it when I noticed a sign - in English - that instructed me not
to step in the river! Sometimes they can be very thoughtful. Thankfully, the
submerged crocodiles were actually made of plastic. I think. After dropping my
mug and wrapper back at the counter, I went in search of the toilets. They were
huge and had clearly been designed to deal with crowds of hundreds. At first
glance, they looked surprisingly posh but on closer inspection, it became clear
that most of the toilets were now locked up or broken. I eventually found one
that seemed usable but then I couldn't find the flush. There was a button on
the side of the cubicle so I tried pushing that. Water squirted up through a
hose and over my leg. As the back of the toilet seemed to have caved into the
back of the wall, I reached through the hole and tried pulling something. This
seemed to work and the toilet flushed. My next challenge would be washing my
hands. Dozens of sinks were lined up in rows through the centre of the bathroom
but none of them actually produced any water. Eventually I found a single
working tap but as the sink below had been shattered, the water sprayed back
over the front of my trousers. I pulled down my t-shirt as low as it would go
and hoped that the gloom within the plastic mountain would help to hide the wet
patches around my crotch. The grand opening to Turkmenbashi's Land of Fairy Tales
had only been five years ago.
I still had some ride vouchers to
use so emerged from the mountain to see if any of the other rides had opened
up. A crowd of teenagers were queuing up for what looked like a revolving disk
with benches facing inwards from the outer edge. I joined the queue and handed
over the last of my vouchers. The kids at the front were urging their mates to
join them but several refused. I should have wondered why. We walked up the
steps and through a gate at the side on to the circular platform. We slowly
spread out over the lightly padded benches, and faced each other in
anticipation. Two of the girls, jammed their legs through the side of the
entrance gate as if attempting to lock themselves in place. The disk started
spinning and tilting and bumping up and down. I awkwardly grabbed the metal bar
behind so as not to be thrown off the bench and down on to the kids across from
me. As we spun into an almost vertical tilt we suddenly stopped. On the other
side of the circle they lay on their backs looking up while on my side we held
on to the metal bar at the back with all our strength. There were no safety
barriers or seat belts. If we were to fall or to slip we would crash down on
those below, leaving cuts, bruises and broken bones in our wake. This would
never be allowed in a civilised country! The health and safety people would go
mental! In most countries they would be terrified of being sued for millions if
anybody was injured but I couldn't see that happening in Turkmenistan (not many
dictators get taken to court in their own countries for negligence). Just as I
was losing my grip, we dropped down and stared to spin around again. Following
the local's example, I locked my arms around the bar above the bench - my arms
might get dislocated but at least I'd have less chance of falling. I could see
now why those two girls had locked their arms and legs around the bars at the
entrance. Just as I was starting to relax a bit, the real bumping kicked in. It
was like being given the bumps by a hyperactive Turkmen troll. As I started to
slide off the bench, the pummeling intensified. The edge of the bench pounded
into the small of my back again and again. I willed for it to stop but the
battering was relentless. Even the teenagers seemed shocked by the intensity of
the assault. I couldn't be sure but I think the operator might even have let
out an evil cackle before finally letting up on the bumping for more spinning
and tilting. Just as we had almost slowed to a halt and some were heading towards
the exit gate, he turned it up again and sent them sprawling across the floor.
He eventually let us out and we hobbled back down the steps, nursing bruises
and strains. Some of the survivors got back into the queue to have another go.
I staggered towards the exit,
which actually turned out to be the grand entrance. It was a great hall with
statues of Turkmen folk heroes and murals depicting their fairy tales. It
pretty much looked like a low budget Disney land attraction that had been
adapted to seem more 'Turkmen' - except that it hadn't been done on a low
budget at all. In a country where most people had so little, it had taken a
fortune.
I didn't know where I was and I
wanted to go back. If I could make my way to the centre of the city then I
would know how to get back to my guesthouse. I scanned the skyline for The Arch
of Neutrality, the space ship like monument that Turkmenbashi had erected in
the very centre of Ashgabat, to celebrate Turkmenistan's glorious policy of
neutrality. At night it was lit up like a giant children's toy encased in neon.
It was like something that a drunken five year old would come up with if they
were let loose in Las Vegas with a multi million budget - only not as classy. I
caught a sparkle in the sky. I now knew where I was heading. I could see the
sunlight glistening off the 12 meter gold statue of Turkmenbashi that
majestically topped the mighty Arch of Neutrality. I was no longer lost. I
limped towards my saviour.
Getting There
There are a few direct flights fromEurope but to fly there
directly as a tourist, you would have to be booked onto an expensive guided
tour. Most backpackers come overland from Uzbekistan , Azerbaijan or Iran . There are probably
less than ten independent travellers in the country at any given time.
There are a few direct flights from
Visas
If you are on an organised tour, then the travel company will sponsor your tourist visa application. If you are travelling independently then you can only get a five-day transit visa. These cost between fifty and a hundred dollars, depending on your nationality, and can be applied for inLondon , Tashkent (Uzbekistan ) and Mashad (Iran ). This will take at
least five working days but you might get turned down for no apparent reason.
They don't go out of their way to encourage tourism and can't understand why
anybody would want to go there.
If you are on an organised tour, then the travel company will sponsor your tourist visa application. If you are travelling independently then you can only get a five-day transit visa. These cost between fifty and a hundred dollars, depending on your nationality, and can be applied for in
Accommodation
Most of the hotels are quite expensive and aimed at business travellers. They also have a reputation for being empty, isolated and a bit rubbish. Most backpackers stay at Aminov Homestay at 2028 Kocesi 106. It's reasonably clean, and sociable, and only about ten dollars a night (you can only stay there if you're on a transit visa as it isn't an official hotel). They also keep pigeons so you have to be careful that they don't crap on you when they let them out.
Most of the hotels are quite expensive and aimed at business travellers. They also have a reputation for being empty, isolated and a bit rubbish. Most backpackers stay at Aminov Homestay at 2028 Kocesi 106. It's reasonably clean, and sociable, and only about ten dollars a night (you can only stay there if you're on a transit visa as it isn't an official hotel). They also keep pigeons so you have to be careful that they don't crap on you when they let them out.
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